Hooray for outdoor play, 2009!
Come and join us, camp begins June 4th!
See details below
Camp
Woods
Play
Located
in Mendon Ponds
Park, southeast of
Rochester, NY
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Summer Camp Information
Individual Programs Links of Necessity and
Interest |
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A
place where a child's development can find its balance point
and an adult can rekindle a bond with nature
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Camp
Woods
Play Day Camp
Each day at Camp Woods Play,
forest, meadow, and pond's edge
conspire to surprise and challenge us. One day's experience builds on
the next and imaginative play, games, art, and music grow out
of a shared exploration of nature. This will be the camp's fifth
season!
Camp activities are planned via group or
individual choice and
include going on shorter or sometimes longer adventures, watercoloring and drawing, co-creating puppet shows and nature
skits, learning camping and
survival skills, or
visiting a nearby bird Wild Wings or the Monroe County Mounted Police horsebarns. Of
course water play is included on hot days.
Most importantly, each day will include a chance to freely play in nature, à
la Scandinavian Forest Kindergartens. The
forest has been described
as an ideal environment for fostering the growth of a healthy
imagination and for balancing physical development: Its architecture
lifts the spirit and provides a fortress of cooling
shade, gentle breezes, and filtered light; Plus, countless natural play objects are scattered all about! Nature
provides the pe rfect
playground, and studies show, a comparatively safe one.
Camp Woods Play is the
inspiration of Marcie Matthews, MsEd, who is trained in
outdoor, elementary, and Waldorf education, and has been bringing
people and nature together for many years.
Her specialty is in helping children's play return to more cooperative
and old-fashioned themes using materials found in nature rather than
toys.
Additionally, other talented teachers, CITs, and parents wishing to
share their creativity, training, and experience will be helping with
music, athletic skills, as well as arts and crafts,
or...whatever!
Camp central
is located in a white pine forest, which remains cooling even on the
hottest days and is handy to a park shelter and
bathrooms. For the youngest campers a portable potty is available. With attention
to
health and dietary restrictions, filtered
drinking water and organic non- or low-sweet snacks are provided. Camp is
insured. See details below.
|
Camp has begun! contact marcie(at)woodsplay.com
On certain Friday evenings there is always
the chance for
you and your child or you alone to meet the director, other parents,
and other teachers by joining us for our Friday night nature experiences (see
details in program list below). We will meet at the Algonkian shelter, which is
right off Pond Road near Deep Pond. Check the link to the map of Mendon
Ponds Park. There will be forms to fill out if you decide to try
camp, but there is no committment. The next Friday walks are Friday, June 26th. Please try to send an email if you are planning to come unless you regularly come then only if you are not coming. Otherwise
just contact me
via email: marcie(at)woodsplay.com. and I can email you the forms and
suggest when you might try camp. The first two times your child attends
camp it is expected that an adult caretaker come along who knows the
child well. This helps ensure a successful transition into the program
for everyone. We are, as yet, still growing and do
not have a limit to programs as there are enough teachers to expand to
other times and even places . Continue to check back if you'd like to try or regularly
partcipate at any point in the summer or if you can get together a group near you.
This year it seems so far, that we will have at least two parallel camps, exact times and dates to be determined soon
- Tuesday & Thursday Morning camp from
9:00 - 12:00 for
ages 0 - 4, plus any older kids interested in helping. especially geared to the preschool aged child .
For those who would like to come after snack at 10:30, there is the
possibility of an extension until 1:30 or 2:00 including lunch time at
12:00, story time, and further play and art in the forest. Please try to send an email, even that morning, to tell me, yeh or neh, about you and your child(ren)'s planned attendance.
- Friday afternoon camp
from 1:30 - 5:00 for older preschool or Kindergarten kids age 4.5
and older plus any older kids or teens wanting to help with this group.
When there is a little more sign-up, days will be added. Please try to send an email, even that morning, to tell me, yeh or neh, about you and your child(ren)'s planned attendance.
- Camp for older kids ages 9 and up,
if there is interest. It might run two days per week and would include longer hikes, more in-depth
exploration, and more complicated projects. Please try to send an email, even that morning, to tell me, yeh or neh, about you and your child(ren)'s planned attendance.
- Friday evening forest experiences:
6:30 - 7:45 for the Littles with parents and adults, and
8:00 - 9:30 for the Biggers with parents and adults. A lot
of fascinating and beautiful things happen in the evening that are hard
to see during the day
time. Clear
red foil and rubber bands will be available to cover flashlights for the later walk.
The next Friday experience will be Friday June 26th. Please try to send an email, even that morning, to tell me, yeh or neh, about you and your child(ren)'s planned attendance.
Although bugs are not a big problem in a healthy ecosystem, there are ocassional mosquito population booms so....
If
you want my advice, the sunscreen and insect repellent available from
Dr. Mercola is the healthiest. Go to mercola.com to order. This is also
a good site to help begin taking charge of your family's health.
There is a newsletter and product listing. Dr. Mercola used to not sell
anything, but so many clients complained that they couldn't follow his
advice that he now offers a good number of products. |
Mixed-Age
Format:
For
the
most part at Camp Woods Play, people, no
matter their ages or abilities, remain together and are supported in
respecting and understanding one another's different ways of being.
Parents, caretakers, and adult relatives or friends of the family are
welcome to participate at no cost and are needed to chaperone if
children have special needs, or are very young,
or are still babies. Older children are encouraged to be helpful to
younger ones. Such a span of ages creates an extended
family-like atmosphere and offers children a chance to develop empathy
and the ability to both lead and follow.
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Camp
Woods Play Summer 2009
Exact dates and schedule are determined each season based on participating families' needs.
Camp
Woods Play Summer Camp Information:
| Schedule: |
Time and dates to be determined by needs of families |
| Cost: |
Whichever
is less: $6/hour or .00008 x total family annual
income/hour |
| Siblings: |
50%
reduction for siblings |
| Payment: |
Daily
sign-in/out sheet is for security & billing, weekly
bill comes with a return envelope
|
| Provided: |
filtered water, and low-sugar
juice/teas |
| Bathrooms: |
Park facility is near, also we have
a hidden portable one, and the nature center has a flush one |
| Comfort: |
The forest is quite a bit
cooler and most days fairly pestering-insect-free |
| Rain: |
Day
rain is rare and actually fun in the pavillion, with heavy thunder it becomes car storytime |
| Health: |
Information
on nutrition, sun exposure, and outdoor safety provided at camp |
| Injuries: |
The
forest is usually safer than the built environment, but we carry first aid kits
and cell phones |
| Security: |
cell phones are with teachers; often mounted patrol
is nearby |
| PDF Forms: |
For downloadable and printable
registration and health forms please use links below |
| Emailed/mailed: |
Email
is below for info and to receive brief registration/health
forms via email or post |
| Contact: |
Marcie
Matthews, at marcie(at)woodsplay.com, phone #
and address will be in reply email |
Map
of Mendon Ponds Park
Forest Kindergartens
in Germany
Forest Kindergartens Wiki article
waldorfanswers.org
- Expanded Woods Play - For individuals or groups, apart from when the rest of the group meets, fee negotiable
- Outdoor Therapy - Guidance for one or two children, old-fashioned outdoor play and artistic self-expression
- Forest Celebrations - Birthdays, anniversaries, hellos and goodbyes - delightful togetherness activities outdoors
|
Forest Kindergartens and Schools: Education within a natural landscape
After
the19th through early 20th Century's “Back to Nature Movement” came into full swing due to the
dramatic surge in urbanization, social experts began to use the
phrase “outdoor education” to denote the growing practice
of using nature as a classroom. It had been noticed through the
years, that for some reason, education outdoors intensified learning
even in subject areas not directly related to the environment. At
this time, in the 1950's, a woman, Ella Flautau, quite accidentally
began the "forest Kindergarten movement" near her home in
Denmark. Although outdoor education for non-environmental topics is
less mainstream today, Forest Kindergartens, serving children from age
4 up
to age 7, or Forest schools involving older children, are
a growing phenomenon world-wide. One can look at outdoor education
programs, such as forest Kindergartens, as relying on the very oldest
curriculum, one designed by an ancient relationship with nature. When we
venture outdoors our senses and our minds awaken, turning our
attention to what matters most to us.
Studies have shown that people are more
social when outdoors and children play more inclusively.
Because much of learning comes through social engagement,
education
embedded in such a context cannot help but be more beneficial.
Moreover, research comparing the long-term effects of psychological
therapy
of all kinds, rate outdoor experiences as the most
life-changing in terms of duration and depth. This is true even when
the experience was only intended to be an outdoor adventure
experience and not therapuetic per se.
Benefits
to participants of forest education programs include
improved confidence, self-reliance, cooperation, tolerance,
inquisitiveness, focus, balance, posture, and improved fitness.
Studies show preschoolers who have attended year-round forest
Kindergartens rate highest in school readiness and contentment,
compared to attendees of other forms of private and public
Kindergarten.The
natural environment is also straight-out a wondrous classroom. Within
the shared experience of an ever- changing landscape, lessons more
often than not occur of themselves through children's
inquisitiveness and activity. Cradled within
this learning environment, knowledgeable teachers can
interweave literary, musical,
and artistic traditions in place-based, hands-on lessons, integrating
science and humanities.
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Guidelines for adults on literature, music, and movement for children
Language and
music including speech,
stories, music,
games, songs, fingerplays, dances, and playing music are essential
for balanced development.
After all, why were these art forms created throughout all the
ages and in every
corner of the world? These various mediums of expression work in many
ways on all layers of
being, guiding and inspiring physical, emotional,
rhythmical, and spiritual activity. For developmental healing to occur
the sound and movement art forms need to be repeated until the whole
organism of the child learns them naturally without being taught consciously. Engaging in sound and movement pieces can be
connected in
beautiful, amusing, and predictable ways to the rhythm of
everyday life
experiences so that the whole family can learn to count on them. Works of music or literature become
learning
gems that can be repeated throughout the day to help the day's schedule
go more calmly, smoothly, and joyfully through the harmonizing of inner and outer rhythms.
Choosing age-appropriate sound and movement experiences
Babies and toddlers, as
a general rule, thrive
on repetition of older or ancient-sounding music, as well as,
complex and
beautiful
language spoken in "motherese," (the sing-song way people instinctively
talk with babies), just hearing the sounds and patterns of language
alone stimulates everything from head to toe. In addition, gross and
fine movement patterns combined with
reciting rhymes
and listening to music or singing greatly expands on the developmental
value. Rhyme play involves moving the whole body as in
peek-a-boo rhymes, or for babies moving the child's
limbs for them in a predictable pattern while reciting a rhyme such as
this one, attributed to a Chinese folktale; "Ricky ticky tovvy,
no so nimbo, haredy baredy busky, merry mimbo!," or
rhyme play can include movements of just the hands, head, and feet as
in
finger
play
type
rhymes. In any case, movement together with reciting and singing is useful for development of nervous system
connections, so that at the same time children are discovering fingers and
toes, mouth and nose, they can learn how it feels to move these in
different patterns. Even simply rhythmically bouncing a baby up and
down or rocking them as we sing, or recite, or listen to music, as we instinctively do,
helps move
the lymph and stimulate the brain of the baby. The same rhymes, or
songs,
woven into the
familiar patterns of the day such as waking,
nursing, changing,
eating, going for a walk or a car ride, going to bed, etc.
create an atmosphere abuzz with love, anticipation, and gentle
stimulation.
2
to 4 year-olds continue to be helped by all that the babies
should get plus
lots of repetition
of simple and beautiful nature or
life
stories, nursery rhymes, and simple folktales that contain repetitive language such as
the British folktales: "Henny Penny" and "The Three Little Pigs," or
similarly old folktales from other cultures. For music, they are much
aided by learning
traditional
children's songs (many songs from older European or traditional
cultures are often a little more beautiful than the British ones) and a
continuation
of the complex music from the Baroche period and earlier.
4 1/2 to 7 year-olds
still need music, dance, finger plays, but now both
listening to
and acting out nature and fairy tales either themselves or through
puppets ( all children can act out all parts - its not good to bring
too much individual self-awareness activities yet, very young children
should not see themselves as seperate from one another or from adults,
so adults should lead the acting out and children be only gently guided
).
Children at this age can really benefit from fairy tales from Central
Europe or other
cultures. They seem to relate very well to the strong
combination of light and dark images in them and the struggles to
transcend loss, hopelessness, and scary situations.
Around 7, as they develop the ability to imagine details strongly and
relate to
specific characters more than others (littler kids accept all
characters as part of something whole), sometimes fairy tales can
become
too scary for them, although many of the more popular stories are
wonderfully romantic and not
too gruesome.
For children older than 7, if they did not
get enough of the above
experiences it is not too late - with sensitivity to what their
interests are, choose from the above genres of literature, music, and
song - just for instance try more complex or humorous finger plays or
whole body movements. At tucking-in times or when there is a tedious
wait children are more open. Additionally there is a world full of
poetry and music that can be enjoyed and learning to recite poetry or
theater monologues helps build vocabulary and oratory skills as well as
confidence.
Early spring poems to move with together
The poems
below are From:
A
Journey through Time in Space and Rhyme:
Poems collected by Heather Thomas
Floris publications, Edinborrough
The Snowdrop
by
Christina T. Owen, from the same book
(Try this one as whole body movement or as a finger play.)
I found a
tiny snowdrop, blooming
in the cold,
I'll
share with you the secret
the little flower told:
"Though
winter is still here, it
hasn't long to stay.
I came
ahead to tell you that
spring is on the way."
The River
by Molly De Havas
This next poem is especially suited to moving outdoors or in a larger space. One can choose a slope to move down,
at first slowly and then picking up speed, serpentine like.
I spring within a moss-grown dell
on rugged mountain land,
Where only stunted pine trees,
shallow rooted stand,
And slow I grow with melted snow
from peaks on either hand
I choose myself the quickest path
to find my way downhill,
And all the time from every side
new trickles swell my rill,
From sodden peat and cloudy mist
I draw the water chill.
I ripple over pebbles,
over waterfalls I leap,
I speed through narrow clefts where I
must dig my channel deep,
Then through the valley meadowlands
in placid curves I sweep.
Small fish live within me,
in my reeds the wildfowl nest;
Kingfisher, rat and otter
in my banks may safely rest,
And all poor weary creatures
are by crystal waters best.
Sometimes my sparkling clarity
is hidden by a frown,
Of dirt and oil and rubbish,
as I pass a busy town;
And sometimes little boats I bear
with sails of white or brown.
At last I reach a shady shore
whereon great waves foam,
By nature bound, yet ever free,
I need no longer raom,
The path designed I followed
to the sea which is my home.
Winter and Spring
by
Trevor Smith Westgarth
The last spring poem is for alternately stamping and skipping to experience the
contrasts of
weight and lightness, contraction and expansion, and slowness and
speed.
Poem
Possible Movements
Winter gently lays its blanket soft of snow
While slowly beneathe the bulbs all start to grow
Spring comes Springing, Laughing, Singing,
Waking, warming, daffodilling.
Winter
slowly says goodbye
Primrose, violet - all are growing
Shoots above the earth are showing
Winter
dies
Spring's alive!
Winter dies
Spring's
alive!
Spring's alive!
| Begin to spiral in, gesturing as if spreading a big blanket.
Continue in a spiral until crouched down
Skipping outward or 6
year olds and older
a somersault
Skipping circling
contract and crouch low
slowly grow upwards
leap upwards using an arm swing to accentuate jumping
slowly crouch down low
leap up
crouch low
Jump up and lift arms
Jump again and skip a big
circle around |
Summer Poems to memorize and move to
A
Journey through Time in Space and Rhyme:Poems collected by Heather Thomas Floris publications, Edinborrough
Sunny Day
Molly De Havas
A bat and a ball we bring to the beach,
And boats to be sailed on the breezy blue bay.
We'll picnic and bathe by the big bare rocks,
And bask in the sun of this beautiful day.
Anonymous
Frogs jump.
Caterpillars hump.
Worms wiggle.
Beetles jiggle.
Rabbits hop.
Horses clop.
Snakes slide.
Seagulls glide.
Mice creep.
Deer leap.
Foxes prowl.
Dogs growl.
Puppies bounce.
Kittens pounce.
Lions stalk.
I walk.
Spelling Verse
Trevor Smith Westgarth
William was a worrier
Inquisitive and wild.
Wanting to always know more
Than any other child,
Whining and requesting,
And insisting that he knew
Why and what and wherefore
And whether, when and who,
And whose was which while which was whose
And what was where and when,
And when anybody told him
He would ask the whole thing again.
A Mathematics Poem
Michael Motteram
A circle has lots of possibilities;
There are many directions to go.
But with a line that is straight -
There can only be this way or that!
If you live from the center of a circle
you will find your life all about you.
But should you live on a railway track
you can only go forward and back!
A Little Finger Game
EJ Falconer
Here is a house with a pointed door
(index fingers and thumb put together)
Windows tall, and a fine flat floor
(all finger tips touching thumbs hidden, then both palms flat side by side)
Three good people live in the house
(hold up three tallest fingers)
One fat cat, and one thin mouse
(hold up thumb and little finger)
Out of his hole the mousie peeps
(little finger through other hand's fist)
Out of his corner the pussie cat leaps!
(thumb jumps over opposite fist)
Three good people say "Oh, oh, oh!"
(Three fingers up as before)
Mousie inside says; "No, no, no!"
(Little finger draws back inside of fist)
Anapest
Anonymous
(This poem can be moved with two short steps and a long one).
I am strong, I am brave, I am valient and bold,
For the sun fills my heart with his life-giving gold.
I am helpful and truthful and loving and free,
For my heart's inner sunshine glows brightly in me.
I will open my heart to the sunbeams so bright;
I will warm all the world with my heart's inner light.
Morning Verse
Anonymous
Oh what a joy is the morning sun
Shining with love now the night is gone -
See how it gleems, feel the earth grow warm,
Flowers are springing to greet the morn.
Birds they are singing in feathered flight,
Beasts they are moving with all their might,
And in my heart do I truly know
Nature and I by sun's grace must grow.
Molly De Havas
Good morning dear earth
Good morning dear sun
Good morning dear Trees and Flowers every one
Good morning dear Beasts and Birds on the tree
Good morning to you and good morning to me
The
following article is lengthy for a web site and a bit on the redundant side, but I
wanted to have the chance to fully explain what I can often only share in part with parents and educators I encounter. It
is important advice about the benifits of allowing children to
develop at their own paces and the costs of rushing children's
development: More than ever, children are at risk of not reaching their
potentials because of being stilted and rushed in their development.
Everyone who is around children can benefit children and themselves by learning
to observe and appreciate the innate wisdom within the developing human
being that directs inner and outer activity so that each reinforces the other. Today, children grow up within very different
physical and social environments than they are designed to develop in.
It is harder for the self-developing capacities of the child to find
the right outer experiences to reinforce the inner ones. Ideal
development best occurs, and is then best observed, within an ideal environment. The more one
adjusts the outer experience of the child to the child's developmental
needs, the better one begins to see this development for its genius,
and the more one feels
hesitant to interfere very much with it or to try to direct or rush
it.
Teaching astronomy to children
by Marcie Matthews
In
terms of terminology, the Latin derived expression, vernal equinox, means spring's equal night, and refers to the astrological start of spring when
day and night are of equal length all
over
the
earth. This equal night happens exactly twice per year, and is refered to as
autumnal
equinox in the fall. In both equinoxes the earth's constant tilt toward
north in the direction of the North Star, Polaris,
along with its
orbital position, makes for an exciting moment when both northern and
southern hemispheres are, relative to one another, equidistant from the
sun. At all other times of year the earth's axis is tilted either toward or away from the sun so that one hemispheres is nearer and one is farther away, establishing
summer or winter, and relatively longer or shorter days.
Learning comes best from the inside out:
We can often only fully comprehend such complex concepts when adults, and then, in a
gesture of enthusiasm and kindness, we may try to
explain them to the little folks in our midst. It
is very hard for us grown-ups to resist today's modern mission to introduce children to concepts or skills as soon as possible to give them an edge or in order to
share with them our
eureka experiences.
However,
when children are asked to grapple
with notions whose complexity reaches beyond their
current imaginative powers, develop skills beyond
their physical
abilities, or
understand moral notions that do not take into account
their maturity level, it can
make them feel anxious, rather than confident, about
learning and maturing. It can also interfere with learning in a similar
vein as has been demonstrated in identical twin research
studies whereby one twin, who is deliberately taught to do
something such as climb stairs, eventually falls behind in that skill
as compared to the twin who learns it on their own. In older cultures,
or according to wise caregivers and certain progressive schools, the
approach to children helps gaurd against imbalanced development and moreover honors
childhood as a time of precious developmental milestones with equally
important rests or brief regressions in between.
This rushing is especially common and damaging during infancy, when we
follow the advice of research done in the 1990's which found that
children begin speaking sooner if they have received lots of external
stimulation (there is by the way no evidence of a connection between
early speech and cognitive superiority). My niece, whose parents had
dutifully towed her about to stimulate her, spoke indeed very early.
Her first sentence was famously; "When go home?" The
following paragraphs describe other common pitfalls we
are all guilty of falling into from time to time in raising and
educating children:
Fancy talk'n develops ahead of fancy think'n:
One of the
most common reasons for unintentional rushing of children's development
comes because of the
amazing ability most children have to learn language - but don't let their language abilities fool you! Young children typically acquire complex
language
skills before
they
can understand complex ideas. Because
of this we adults and teens all sometimes fall into the trap of conversing with young children
as if we expect them to understand academics or the ups-n-downs
and ins-n-outs of life in a mature manner. In addition, young children
are sometimes very observant and their intuitive wisdom can be uncanny, but we should not mistake these tender abilities for adult reasoning. This can easily lead to our unfairly reprimanding them if
one day they seem to know better and the next day they do not - in truth they
really often never knew better.
Aso, relying
on
young
children as
confidants or expecting them to make many decisions
on their own may feel as if it imparts respect, but it is better to
rely more on modelling moral
behavior and decision-making and let children learn quietly about
right and wrong by our example, not necessarily through logical explainations. In older cultures, renowned for
their strong but gentle ways with children,
adults recognize
when taking a young child by the hand or
picking them up and leading them toward positive activities and away from
inciting, confusing, or hurtful ones, is better
than explaining or requiring them to behave according
to adult logical or moral understandings. If one does need to explain things to a child around age 6 or younger, in general let answers and experiences be
wrapped in beautiful stories, which they can visualize and
relate to, and that lack what might be for them harsh realities.
Early learning with a stress on one subject may slow learning in other subjects and learning in general:
"But they
ask for it!" Yes, they do. It
is easy to also be led astray by little children themselves as to their
readiness for learning certain things: At very young ages they
pick up notions about the relative importance society or a significant other places on "getting" certain things or aquiring certain skills, and children may impatiently request help. An
obvious example is young children's engaging in sports or other
competitive activities, organized by adults to live out the adults'
needs for success in things that they themselves would love to be
better at.
Yes, young children often seem to quickly adjust and look forward
to the adult-like organized activity or learning, but remember that
dogs used for fighting quickly learn to love it, but underneatheis
an animal afraid of its own shadow.
One of the most prevalent examples of a disproportionate focus on academic learning is the current enthusiasm for early reading. Society's
attitude toward
literacy, narrowly defined as
reading and writing, is akin to a religious belief, provoking high degrees of both anticipation and anxiety. Reading and writing are indeed important skills, but they are less essential to development of
litaracy than
exposure to a rich, repetitive oral tradition, involving listening to and repeating
rhymes, stories, jokes, songs, and games, and should be stressed in
early education only if oral tradition is lacking. Reading
requires the simultanious application of dozens of mental
skills, and
once learned it is then utilized at some level constantly, audibly distorting
speech, weakening oral recall, and interfering with the balanced development of the
senses. Too much reading early on has been proven to strain the eyes, altering healthy visual
development, and causes the brain and musculoskeletal system to develop differently.
From
three generations of Waldorf education's international collaboration,
the concensus is that early reading reduces imaginitive skills.
When children think or listen to story, if they know how to read, they
appear to have a shallower experience of it within their own minds.
Maybe these pitfalls associated with early reading are why many
European countries still wait until children are six or seven or even
eight
to begin even teaching them their letters. American teachers I have
spoken to feel that even if children learn to read at four or five
there abilities by age ten are on average not better than children who
have learned to read at six or seven. If
you feel
anxious
about your child's being ready for future academic success remember the
old addage: "Once
children begin to read they stop reading from the book of nature."
The pitfalls of the "Why" stage:
Concerning children's academic aspirations, you
might quip again that:
"Well, they are always asking why." Young children do go
through a very long "why?" stage, but
they are often just practicing the language of thinking, not really yet
needing to think abstractly. Also, sometimes they are only wanting conversation or
needing interaction or energy from us rather than wanting to know
the whole truth about everything.
Children of course want to begin to feel the connections between all
things, but the best response may be a
story that relates aspects of reality within the context of the child's framework of understanding and feelings. Answering their persistent whys
should be a challenge for us to sensitively
weave increasing doses of reality into their imaginative
world in a way that fortifies it without toppling it. Often persistant "whys?"
are simply a verbal form of fiddling with a caregiver's hair or
earlobe while sucking on a favorite finger - something that gently stimulates, soothes
anxiety, or builds an emotional bond - they are just needing interaction.
Along with asking questions,
children frequently try explaining their own ideas about the way the
world
works. They are beginning to practice finding answers on
their own and
learn the language of thinking. Practice in using their own words to
explain phenomena and observations is the externalization of an inner
activity that forms a two-way dynamic, actually
fortifying their ability to think. Although this process
is dependent on experience, obsevation, and collecting facts, developing language skills should
preceed actually understanding things. In other words onlookers should listen and respond while allowing the logical connection to be a little loose. At this
stage adults and older siblings should strive to
simply understand the child's reasoning and introduce new language by gently
or playfully rephrasing a young child's ideas in a slightly more sophisticated way, as if we are
asking a question
we don't quite know
the answer to ourselves. In this way we are modeling the language of
thinking and encouraging creative
pondering: both vital areas for developing cognitive and metacognitive
abilities
later. Insisting on all
the facts being straight during this process can easily get in the way
of a child's learning to think things through on their
own. If a child is overly concerned with understanding it can be a sign
that they are feeling stressed in general as well.
Intellectualizing is related to anxiety. Caregivers who are
confident that children will one day be very
bright leave more space for children to be "wrong" for a time,
letting children
figure things out through their own slowly maturing powers of
questioning, observation, visualization, creativity, analysis, reasoning, and evaluating.
If it helps, try to think of answering whys and listening to your child's reasoning as explaying,
rather than explaining. Remember: The single greatest contributor to a
higher IQ is confidence in one's ability to figure things out and human
confidence is fragile. Correcting too much can diminish confidence.
Children mistake the earth for a sort of heaven:
Another aspect of early childhood that requires sensitivity
and
patience,
is
how
to best handle the still strong connection young
children have, or seem to have, depending on one's beliefs, to
the
divine. Indeed little children seem to happily mistake the earth for a
sort of heaven populated by adults and teens whom they mistake for enlightened spiritual beings - "Who, me,
deity?, no way!"To us it is often children who seem, or truly are, nearer to heaven or the
spiritual realm. Young
children's comments and questions attest to a wisdom that will go underground for
much of
their childhoods and young adulthoods. This happens in order for them to reach a stage whereby they will come
to rely almost purely on logic devoid of intuition -aka common sense -
to solve problems. Human
development then proceeds and hopefully we learn to use intuition and intellect in concert with one another as adults.
Around age nine children
often go through a crisis of disenchantment when they become aware that
not all adults are good and wise and that they themselves are not in
some sort of heaven anymore. Sadly this should be a slow transition,
but because we are often excited to see our children finally "wake up"
we
again may unintentionally and prematurely push them to jumping from age
9 to 35. Replaement of children's heavenly or magical
interpretations of life should be a slow process.
To help children feel protected by the
forces of goodness, we should always strive to minimize irreverant or materialistic experience or conversation around them: Think about that village that it takes
to raise a child. It would be ideally, in most ways, an old-fashioned village, if
we were to manifest it as best we could in our own children's lives.
It would be simple and reverant of nature, culture, and the spiritual
or communal, rather than full of influence from the modern, materialistic, marketplace world. As an antidote to
the irreverance that abounds everywhere else, children can
strongly benefit from a spiritual practice and education at home or within the community.
Caregiver or community led spiritual experience, celebrations, stories, and rites of passage, will help
children connect with what is right and good and provide
stories about superheroes
and superpowers that surpass the commercially created ones.
Overstimulation in general and video stimulation specifically causes hormonal, neurological, and emotional changes:
Concerning children's enthusiasm toward modern culture you may cry once again; "But, they ask for it!" Yes, and
with noisy tantrums if it is denied. We human beings
are drawn toward what frightens
or stimulates or especially overstimulates us. In
ancient times there must have been natural checks and balances on the
availability of the outragious, but in today's world our innate drives
cause us to be our own worst enemies. Somehow, within our inborn
desire to seek out novelty and adventure within a natural landscape may
lie the increasing threat of society's demise.
To save
ourselves we
need to continue efforts to reconsider what sort of cultural experience
and "landscapes" we expose children, and ourselves, to.
What the world
appears to be and to value on the outside fortunately or unfortunately
quickly
becomes
what our children's nervous systems, bodies, and emotions adapt to. In choosing appropriate experiences for children Rudolf Steiner spoke about learning to decipher for children the
difference between
fantasy and the fantastic.
Fantasy involves imaginative stories told orally, through theatre,
or through books and or activities that connect experiences of nature
or culture with values and ideas that promote a beautiful, loving, and
sustainable connection to the world. With fantasy there should be
elements of surprise, adventure, and a contrast of light and dark, but
it is only there to accentuate the positive. Fantasy experiences
should involve using the imagination actively through mostly listening, not passively through mostly watching.
Experience based on the fantastic, on the other hand, is connected to the following: Television and video media,
modern commercial life without respect for landscapes, resources, species, or cultures; depictions of violence; computer technology and games; science
fiction; aliens; depictions of dangerous or oversized animals or
insects; overly powerful or unnecessarily high-tech machines and
vehicles; suped-up super hero culture; modern music that
is loud, heavy, overtly sensual or sexual; or stories that are
caustically sentimental, insipid, cold, or darn right dark and evil. With
the fantastic passively being stimulated through surprise and extreme
contrasts of light and dark is often the whole point. Often the
fantastic comes packaged as if it is harmless fantasy complete with a
moral thrown in (for instance much of Disney), but this is only to
qualify it or provide the "tear jerker" effect. Choosing between the
two is difficult. What
appears to bring delight is not always easy
to understand as
dangerous to that child. What complicates things more is that because children
are bonded to us strongly and get happy and thrilled about the same
things we do, we may make choices based too much on what we like.
When in the mid 90's Switzerland gave in to pressures to allow the big
networks to televise within their borders, they did it knowing it would
reduce the age of puberty on average by
1.5 years and thus lower the IQs of its citizens. And yes, it doesn't
take that much television viewing per week to have that effect plus other detrimental ones on the developing brain.
Try to observe a child's deeper reactions to
experiences and stimuli: What for instance is their mood and energy
afterward or the next day or days? It is superior to use the years
before they are 15 or 16 to strengthen their connection to what is
wholesome, old-fashioned, and nature-based. Try not to
worry about them not being tough and media-hip when they are teens -
eventual exposure
to all things modern
is
inevitable and awareness of such things ultimately necessary. In their
later teens or early twenties, if you have aimed for fantasy not the
fantastic, your
children will strike other children or young adults as truly hip - able to make fun and not just consume it, and easily able to stand up to peer and marketplace
pressure. How to help them be tough in a healthy way? Children can get plenty toughened from working steadily with hands, head, and
heart together to serve others and also engaging in age-appropriate outdoor sports and
camping. Working around the house, yard, and if it can be arranged farm, builds true toughness as well!
Thank you for your kind attention so far. So, finally, back to astronomy....
It is
fine to explain to children younger than age 9 that
vernal is derived from the Latin ver meaning spring,
while autumnal
relates to fall,
equi equal,
and nox
night, and
to say; "Today, is a special day: Day and night are of equal
length!" telling them a story
about this - a story or myth they can imagine and relate to
emotionally - or by letting them count down to sunset, or noting setting times of consecutive sunsets to see if their is a trend, but to go beyond
this is abstracting for them, rather than letting them some day have the
real joy to construct understanding themselves, or with minimal assistance, when they are ready!
In summary, we adults should
always strive to avoid pushing
young children's energies up into their heads, but rather let these
developmental forces work in a more dynamic way throughout their
organism -allowing for a harmonious integration of the senses, emotions, thinking, and physical, as well as, spiritual abilities / morality.
All of these parts of the developing child should evolve in concert
with one another, with the child as the head conductor. We adults are
here to listen, and bring refreshments, decide when its playtime, break
time, and work time, as well as, guide, challenge, cheer, and occasionally correct. But
mostly, we are to patiently and lovingly await for the unique rhythm,
dynamic, and beauty of a
child's individual song to join the world's chorus.